Now you can add it to your own mixes with the SansAmp PSA-1 plugin. A favorite among touring artists and recording professionals, SansAmp PSA-1 provides a wide range of amplifier emulation, harmonic generation, cabinet simulation, and equalization tone shaping options. SansAmp PSA-1 comes bundled with Pro Tools and Pro Tools HD software.

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• Sansamp Psa-1 Vst Download admin Jun 05, 2017 Guitar signal chain: Ibanez RGD 2127FX - Sansamp PSA 1.1 - Tascam US-1200 - Cubase 5 Rythm guitar double tracked, 100% left / right Lead guitar double tracke.
• VST 1.0 f/ Cubase.sit. SansAmp%aa PSA-1 RTASk.sit. This file was slowly download over the course of 3 weeks at around 0.7 kbps at average, and that too only.

Blue Cat's Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too!), and most importantly, yours!

Typical applications: Distortion modeling, guitar amp simulation, non-linear tone shaping channel strip, overdrive, bit crushing, analog compression, hard & soft clipping, coloring, tape saturation, Lo-fi, fuzz, digital noise, aliasing, filter effects.

Detailed Description

Destructor is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines..) or created by our destructive minds.

But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations - no need to purchase extra presets or amp models to build your custom tone. And if you want to keep it simple, use tone maps to create new sounds without diving into the details.

Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix. Devil may cry 5 download. You can also load and transform your own impulse responses to add color to your tone.

Thanks to its exclusive adaptive shaper, it is reactive to the playing of instrumentists, providing a very natural feeling, similar to analog gear.

To make the look and feel of the plug-in fit with your favorites tones, it is bundled with more than 1600 visual styles that can be selected separately for each module.

It is also possible to import reference curves measured with Blue Cat's FreqAnalyst Multi to quickly match existing tones.

If you are looking for a complete amp simulation solution with effects, check out Blue Cat's Axiom. For frequency-selective or multiband distortion, the plug-in can be used in combination with Blue Cat's MB-7 Mixer.

Credits: this plug-in includes several factory presets created by Sink and Hans Van Even.

Features

Main Features

• Powerful distortion and amp modeling tool.
• Simulate any kind of distortion: analog or digital, guitar and bass amps, saturation, clipping, compression, bit crushing..
• Works for 'clean' sounds too.
• Get started with several hundreds of fully editable presets, inspired by real gear.
• More than 1600 visual styles to customize the user experience.
• Control the dynamics with the input gate and compressor.
• Control the tone with the pre and post filters.
• Exclusive shape dynamics control: adapt the tone to the dynamics of the signal.
• Tone maps: explore and morph presets in 2D to create new tones.
• Use the internal or external side chain to trigger the distortion.
• Load your own cabinet or reverb impulse reponses, transform and mix them with built-in simulations.
• Protect your ears with the output brickwall limiter.
• Comprehensive visual feedback: real time spectrum analysis, dynamic distortion curve display with embedded signal histograms.
• Load reference curves for tone matching.
• No latency.

Blue Cat Audio Standards:

• Available in most plug-in formats for Mac and Windows.
• Full MIDI control and automation support, MIDI Learn.
• No CPU load on idle: processing shuts down when fed with silence (optimal CPU usage).
• Customizable user interface with transparency & zoom.
• Smooth Bypass: noiseless plug-in activation / deactivation.
• Undo/Redo.
• Full featured integrated presets manager.
• Copy/paste the state of the plug-in between instances.
• Any sample rate supported.

Videos

Screenshots

User Comments & Reviews

'In summary, Destructor is a revelation, bringing awesome distortion and tone shaping to your DAW at a great price.[..] Guitarists will get right down with this authentic amp simulation, and electronic producers will find endless sound design potential behind its intuitive interface.' - - [read review on musicradar].

'Having spent several hours finding my way around Destructor and putting it through its paces i'm happy to report that it really is as flexible and fully featured as Blue Cat describe. [..]

Destructor's interface is well laid out and a breeze to use; Blue Cat have went to great lengths here to make sure getting some fantastic sounds as easy as possible.[..]

Viable as a great sounding Amp sim as well as a downright filthy saturation and distortion plug in, Blue Cat Audio's destructor offers fantastic value for money.' - rated 'Excellent' by - [Watch video review here].

' Destructor doesn't look like an amp simulator, but let's not make the mistake of underestimating the immense scope of this plug-in: Destructor is all about distortion in the broadest possible sense, and that includes guitar amplifiers - basically all of them ever! From clean tones to mild overdrive to ultra high-gain, Destructor is equipped with all the tools necessary to deliver tones from across the board. [..] Look no further if you’re after a new and refreshing approach to the amp simulation game' - .

'Destructor is extremely handy for literally any tone you could ever want. [..] From crystal cleans to the most punishing yet articulate hi-gain you could ask for. [..] There simply is no other plugin on the market today that gives you the ability to create and customize tones the way Destructor and Axiom do.' - .

'I absolutely love this plug-in [..]. Destructor is a very impressive plug-in. Its capabilities are endless. I am very excited to use this plug-in in my future tracks and on stage.' - - [read full review].

'I must say it is so easy to use, and the scope for sounds and distortion [..] is just endless. [..] I forget that it's a plug-in, it's that good! These modules in the middle can be tweaked till the end of the world,[..] the possibilities really are endless. ' - - [full video review].

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' [Destructor] is capable of much more than just amp simulation and its range is everything from the gentlest, pleasing 'warmification' to brutal audio annihilation.

The shape dynamics control [..] is where Destructor truly shines in relation to most of the competition. [..] This allows for much nuanced distortion design and can contribute to much expressivity in final tone.' - - [full review].

'I am so blown away by the way this plug-in. I think it sounds absolutely amazing! ' - - [full video review].

'Blue Cat Audio réalise [..] un véritable tour de force. Les modes 'Easy' et 'Edit' alliés aux multiples niveaux de presets satisferont tout le monde, du guitariste pressé à l’ingénieur du son exigeant, en passant par le Sound Designer en quête d’un traitement sur mesure. Et bien entendu, le son est définitivement de haute volée !' - .

To add your own comment about this product, please contact us.

System Requirements

Windows

• An SSE2-enabled processor (Pentium 4 or newer).
• Microsoft Windows Vista, Windows 7, 8 or 10.
• Any VST / AAX compatible host software (32 or 64 bit).

Mac OS X

• An Intel processor.
• Mac OS 10.7 or newer.
• Any VST / Audio Unit (32/64-bit) / AAX compatible application.

For more information about supported platforms, see our FAQ.

Demo Limitations

• 5 instances of the plug-in allowed per session.
• The effect is bypassed for half a second every minute.

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Article Content

One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. To combat this, I find myself using a variety of saturation/distortion plugins when mixing vocals. Here are my favorites:

1. Soundtoys Decapitator

I love the Decapitator on virtually everything, but to me it always shines on warming up digital-sounding vocals. From adding subtle analog smoothness, to giving your vocals blistering bite, there’s very little the Decapitator can’t do.

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One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. To combat this, I find myself using a variety of saturati Microsoft office 2017 mac torrent.

Mix Tip:

I do find that the Decapitator (and many other saturators) can make esses sound harsh and noisy. Part of my ever-evolving vocal mixing method now involves using clip gain to bring down each and every “s” before I touch the vocals with processing. If this technique still doesn’t work, it’s not uncommon for me to bring all of the esses to their own audio track and process them separately from the rest of the vocals.

2. Avid SansAmp PSA-1

Although the Decapitator does a great job at adding juicy analog goodness to your material, sometimes I need my vocals to sound like they’ve been re-amped, and the Decapitator isn’t quite built for that purpose. When I need that thin, brash, distorted vocal sound, I look no further than the SansAmp, which actually comes loaded as a stock Pro Tools plugin.

Mix Tip:

The SansAmp is a solid “megaphone” substitute. For howling rock vocals meant to sound like they’re being sung through a megaphone into a crowd of mosh-pitters, this is the plugin I reach for, especially if you pair it with a short, slap delay.

3. UAD Studer A800

The Studer was such a game-changer plugin when it come out. It’s still so much deeper, more flexible and more vibey than most saturator plugins that have been released since. In the cold, brittle world of low-budget digital audio, I am very thankful to have tools like this. The A800 has a “multiple-plugins-in-one” vibe happening, and sort of behaves like an equalizer and a compressor when used a certain way. It definitely imparts a pleasing tonal color onto vocals, but also does a great job of taming harsh, out of control passages.

Mix Tip:

As I said, there are so many controls and therefore tonal options on this plugin, it’s hard to pick one technique that stands out more than the others. Sometimes I drive the input super hard for a fat, crunchy distortion. Sometimes I tweak the bias setting to achieve a crackly, special-effect, broken vocal sound. Sometimes I simply turn down the IPS to give my vocals a vintage vibe. The Studer A800 is of the most versatile plugins on the market, regardless of what you’re using it on.

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One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. To combat this, I find myself using a variety of saturati

4. FabFilter Saturn

It took me years of using this incredible FabFilter plugin to realize that it was named Saturn because (Saturation, Saturn…get it?) Anyway, it’s a standout plugin and perhaps the most versatile on this list when it comes to achieving different types of distortion. Tubes, tape, amps … Saturn does them all, and well.

Mix Tip:

Most of the other plugins on this list, even when pushed to their extremes, still leave you with something that is recognizable as the human voice. For when I want to crush and mangle vocals beyond oblivion, Saturn is an expressive and fun sound design tool. This is in part because the modulation section. For when I need to make my vocals sound more “alien”, which is pretty often when producing modern pop music, Saturn is what I reach for.

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One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. To combat this, I find myself using a variety of saturati

5. Waves Kramer Master Tape

I love the very-few-frills approach to the Kramer Master Tape from Waves. For adding subtle warmth and analog color to vocals, this plugin is one of the quickest fixes available. The Wow & Flutter control is also a lot of fun when you need to achieve that specific effect.

Mix Tip:

While this is a list of saturators, the delay on the Kramer Master Tape needs to be mentioned. It can do the short slap-back thing really well and is also a lot of fun when you try to push it into howling feedback territory. While I generally use the Kramer Master Tape as a saturator exclusively. There have been times when I’ve used it only for its delay.

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One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. To combat this, I find myself using a variety of saturati

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